Hitchcock \ Truffaut Page #2
- PG-13
- Year:
- 2015
- 79 min
- $304,899
- 132 Views
And then, in 1934,
he made the first
100% Hitchcock picture.
HITCHCOCK:
St. Moritzwas the beginning
of The Man Who Knew Too Much.
It was the place
of our honeymoon.
NARRATOR:
And of course,Hollywood beckoned.
HITCHCOCK:
I wasn't attractedto Hollywood as a place.
(WOMAN SPEAKING FRENCH)
HITCHCOCK:
That had no interest,
what had interest for me was
getting inside that studio.
(SPEAKING JAPAN ESE)
Hitchcock did some of his
best work in the '40s.
But in the '50s, he soared.
I have a murder on my conscience,
but it's not my murder.
NARRATOR:
And curiosityof James Stewart,
in this story of a romance shadowed
by the terror of a horrifying secret.
Look, John, hold them.
Diamonds.
SCORSESE:
There was a spellthat was cast with those films
in the '50s and the '60s.
And it's a special
blessed time for me
because I saw them
as they came out.
NARRATOR:
Truffaut beganas a critic in the early '50s.
(INAUDIBLE)
He started at the great French
film magazine, Gamers du Unma.
For the writers at Cahiers, soon to become
the filmmakers of the Nouvelle Vague,
Hitchcock's greatness
as an artist was self-evident.
(JEAN-LUC GODARD
SPEAKING FRENCH)
Before they made
their own movies,
a new pantheon of cinema-
The directors who were
the true artists,
the camera, the auteurs.
(TRUFFAUT SPEAKING FRENCH)
(ASSAYAS SPEAKING FRENCH)
(SPEAKS FRENCH)
Being an individual artist
meant self-exposure,
pouring all of yourself into your movie,
all of your fears
and obsessions and fetishes,
just like Hitchcock did.
(MAN WHISTLING)
MAN:
All together! Pull!(SPEAKING FRENCH)
Hitchcock often told the story of being
sent to the police station as a boy,
where he was locked up for a few
minutes as a symbolic punishment.
He said that it led to a
lifelong fear of the police.
But Truffaut
really was locked up.
He was delivered to the police
by his own father,
and then sent to
an episode he put into his
autobiographical first feature.
(TRUFFAUT SPEAKING FRENCH)
Truffaut had a fierce
attachment to freedom.
It's there
in all of his films.
And it sent him in search of another
father, a father who would liberate him.
(INAUDIBLE)
He found the great
film critic Andre' Bazin,
who virtually adopted Truffaut and
brought him to Gamers du Unma.
He found Jean Renoir,
and Roberto Rossellini.
And he found Alfred Hitchcock.
Hitchcock had freed Truffaut as an artist,
and Truffaut wanted to reciprocate
by freeing Hitchcock
from his reputation as a light entertainer.
And that's the basis on which
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Hitchcock \ Truffaut" Scripts.com. STANDS4 LLC, 2024. Web. 4 May 2024. <https://www.scripts.com/script/hitchcock_\_truffaut_10018>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In